Modern ART CIA/s weapon? PLEASE UK Independent: SHAKESPEARE too?

JACKSON POLLOCK

Why did the CIA support them? Because in the propaganda war with the Soviet Union, this new artistic movement could be held up as proof of the creativity, the intellectual freedom, and the cultural power of the US. Russian art, strapped into the communist ideological straitjacket, could not compete.

[sidebar:  The dribble from the Independent can be expected.  The WAR is on. U$A gets to now be completely outed.

So LET U$ fully out the U$A in art.

First of all, the art in America was repressed, oppressed, suppressed and depressed quite on purpose.

Der Blue Riders came to America to escape the WAR insanity, but of course this is how it always has been.

SORRY FOR SHOUTING.  in a word, not.  not sorry for shouting some very important shouting.  SIDEBAR con't below ..

http://www.independent.co.uk/news/world/modern-art-was-cia-weapon-1578808.html

http://theartof12.blogspot.com/2013/10/money-sovereignty-look-at-syrias.html

[sidebar con't ... The Bank of England, 'Old Lady of Thread Needle Street', Federal Reserve System, MONEY CHANGERS are not new in the category of criminals that have always been insane.

This includes the Chinese for manufacturing the many symbols and other forms of how to get - for example - the passing around of a one dollar bill one million times to APPEAR as though the dollar was actually a million as only one. Grand Killing Armies and also gunpowder, from the places other than America.

The Chinese were once a high civilization and the trading and exchanging fever got inside some of the Chinese GOVERNMENT people that allowed Opium to change their mind from sane to insane. China had some of the most advanced art on the planet at one time.  Look at what the country became.  How?  NO BOUNDARIES.  Having also used the earth as their own paradise and not inviting the world of humans into the greater consciousness realities didn't exactly keep that EMPIRE in tact, either.

JAPAN and China are now at war over islands nearer to Taiwan than to China.  Taiwan may side with Japan.  All are ASIAN.  KOREANS are involved as Asians, as well.

http://www.globalpost.com/dispatch/news/regions/asia-pacific/120820/japan-china-taiwan-senkaku-islands-territory-dispute

DRUNK Japanese Zen master Oda Sesso (1901-66), abbot of Daitokuji monastery, warned, “There is little to choose between a man lying in the ditch heavily drunk on rice liquor, and a man heavily drunk on his own ‘enlightenment’!”

GENEROSITY The saintly Japanese Zen hermit, poet, calligrapher, friend of children and benefactor to the poor, Ryokan (1758-1831), lived austerely and simply in a little hut below a mountain. One evening a thief visited the hut only to find nothing there to steal. So he went off into the night. Ryokan caught up with him: “You may have come a long way to visit me, and you should not return empty handed. Please take my clothes as a gift.” The bewildered thief took the clothes and slunk away. Ryokan sat naked, watching the moon. “Poor fellow,” he mused, “I wish I could give him this beautiful moon!”

WAY IT'S DONE, imagination of IT.  What is IT.  Well IT isn't what the humans continue to force - 'artificiality' isn't exactly the more advanced choice in living on a finite mass of energy named home to humans, earth.

ROTHKO, POLLOCK, GORKY, ET AL, all mysteriously did the SUICIDE routine.  The only named great names of artists that were then 'household' -so-to-speak- were of the 'Jewish' faction.  Interesting how the fate twists in the societies all over the world that are run by the same gang that owns the Independent, too.

ANDY WARHOL, MAPLETHORPE, what degradation, perversion, and an abomination to the imaginations of genuine imagination.

ART.  Why this discipline?  CAMILE CLAUDET is my favorite of all the artists in the history of art.

http://www.lemondedesarts.com/DossierClaudel.htm

CAMILLE CLAUDEL ( 1864 - 1943 ) Camille Claudel vers 1889 © Coll.Part.

Camille Claudel sculptant dans le marbre "Vertumne et Pomone" en 1905  © Coll. Part.

Camille Claudel est née un 8 Décembre 1864 à Fère en Tardenois. Elle est l'aînée des enfants d'une famille bourgeoise, et de Paul Claudel son frère né en 1868 qui deviendra poète, écrivain et diplomate. Femme libre et artiste elle aura eu un destin hors du commun. C'est à 17 ans qu'elle décide de faire de la sculpture et d'en faire en quelque sorte son métier. Elle vient à Paris en 1882, suit les cours de l'Académie Colarossi, rencontre le sculpteur Alfred Boucher et créée son premier atelier Rue Notre Dame des Champs. En effet il est inconcevable à cette date qu'une femme ait accès à l'Ecole des Beaux Arts. Ce n'est qu'en 1889 qu'une classe spéciale pour les femmes, séparée des hommes est créée et ce n'est qu'à partir de 1903 que celles ci auront la possibilité de concourir pour le Prix de Rome.

En 1883, Camille Claudel rencontre Auguste Rodin et devient son élève. Mais elle devient aussi son inspiratrice, son modèle, sa confidente et sa maîtresse tandis que Rodin vit avec Rose Beuret. Elle pose, compose et  travaille avec Rodin  à la réalisation des "Portes de l'Enfer", et inspire le maître ou davantage encore pour nombre de ses créations. Elle même a réalisé des bustes, dans une facture classique tels que "La Vieille Hélène" en 1882, Avec " Paul en jeune romain" en 1884, l'influence naturaliste et expressionniste de Rodin se fait sentir, dans laquelle elle ajoute  une touche classique ou historisante .

Camille Claudel vers 1885 Photo de César papier albuminé 15,5 x 10,3 cm © Musée Rodin Paris

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